In crafting her public persona, Queen Bey has long mythologized her flawless perfection – cue “I woke up like this” lyric – promoting herself by way of Oprah-esque self-empowerment ideals. They’re even more incommensurate with the imperial, near-deity status currently bestowed upon her, especially by legions of Beyhive superfans. She received a Worst Actress Razzie nomination for Obsessed, and early howlers like Austin Powers in Goldmember – which nevertheless opened at #1, and garnered a Guinness Book of World Records commendation for the highest-ever box office opening gross for a comedy – seem out-of-step with her innovative and expertly executed projects like 2016’s Lemonade. But most of her other feature films have been, to be generous, middling to mediocre. She’ll return to the big screen, however, in 2019’s computer-animated reimagining of Disney’s cartoon blockbuster The Lion King.īeyoncé may have received a Golden Globe nomination for her acting in Dreamgirls, as well as raves for her turn as blues icon Etta James in Cadillac Records. Besides gracing the small screen in 2013’s self-produced HBO reality documentary Life is But a Dream, Beyoncé makes no more feature film appearances after 2009, focusing instead on raising her family, making albums, videos and short films, touring the world and embarking on a host of entrepreneurial projects. Beyoncé also contributes voice-over work for children’s television series Wow! Wow! Wubbzy! and the Wow! Wow! Wubbzy!: Wubb Idol TV movie in 2009 and she plays the voice of Queen Tara in 2013 animated film Epic. There’s also her 2002 big-screen debut opposite Mike Myers in Austin Powers in Goldmember 2003’s gospel comedy The Fighting Temptations 2006’s The Pink Panther reboot opposite Steve Martin, and Bill Condon’s high-end Dreamgirls movie musical, released that same year 2008’s Chess Records biopic Cadillac Records and 2009’s stalker thriller Obsessed, co-starring British sex symbol Idris Elba. Her curious film career to date, running the gamut from gleaming highs to murky lows, often falls into that “see what sticks” category.īeyoncé made her official debut in MTV’s 2001 made-for-television Carmen: A Hip Hopera. Though she currently enjoys her stature as a self-assured, self-empowered 21st century supernova, Beyoncé started her late ’90s career much more tentatively, as an ambitious R&B aspirant who made decisive career choices, but also threw things at the wall to see what would stick. Another is the 2007 viral video that shows Beyoncé tumbling down a flight of steps in high heels during a Florida concert, and there’s also 2014’s infamous, video-only elevator security footage in which she demurely stands by while sister Solange assaults hubby Jay-Z. One came via hidden camera in 2006, when activist organization PETA (People for the Ethical Treatment of Animals) confronts her for using fur in her fashion line House of Dereon. It’s hard to name more than handful of on-screen moments featuring Beyoncé where we get to see a less guarded, unassertive, non-omnipotent version of the superstar.
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